While the initial pacing is moderate, the proceedings pick up rapidly in the latter reels as the story gains multiple dimensions. The story explores the case systematically, credibly and logically. The writing by Sujoy Ghosh, Advaita Kala, Suresh Nair and Nikhil Vyas is articulate and immaculate, investigating the matter gradually and building up the mystery at every step. The local affair suddenly turns into a governmental concern. Though Kahaani gets to the point from the very start, the actual graph in the narrative ascends when Vidya’s individual search for her husband takes a bureaucratic twist, with the intelligence department coming into picture. But soon her personal quest turns into a political conspiracy. Things take a drastic turn when Vidya learns that her husband had a lookalike and perhaps that could get him closer to her search. There is little that the cops can do since they are unable to trace any records of her husband in the guest house, office or even airport immigration. The story is of one pregnant Vidya Bagchi (Vidya Balan) who comes to Kolkata from London in search of her husband who was in India on an assignment but suddenly went missing.
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